Sublime Frequencies: bendito gusto

Antropología musical en estado bruto sobre callejones de poblados africanos, karaokes tailandeses, frecuencias radiofónicas del Magreb y todo aquel foco de sonido que aún se resiste a ser contaminado por la colonización de la "world music".

Detrás del sello Sublime Frequencies (2003) están Alan Bishop, Hisham Mayet o Mark Gergis recogiendo los sonidos de los zocos, las calles, lugares públicos y radios locales para que el oyente se introduzca en el sudor de la tierra.

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SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations. SUBLIME FREQUENCIES is focused on an aesthetic of extra-geography and soulful experience inspired by music and culture, world travel, research, and the pioneering recording labels of the past including OCORA, SMITHSONIAN FOLKWAYS, ETHNIC FOLKWAYS, LYRICHORD, NONESUCH EXPLORER, MUSICAPHONE, BARONREITER, UNESCO, PLAYASOUND, MUSICAL ATLAS, CHANT DU MONDE, B.A.M., TANGENT, and TOPIC. SUBLIME FREQUENCIES PO BOX 17971 SEATTLE WA 98127 USA

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